Arranging Folk Music
Faking It in the Session And Nailing It in Rehearsal
Open for all instruments
Day 1 Wednesday 5|03
*FULL*
Accompanying Folk on Cello
Basic chops, chords and basses
Intermediate cello
Day 2 Thursday 6|03
*FULL*
Playing Folk on Cello
Advanced tricks, chords, strums and chops
Advanced cello
Day 3 Friday 7|03
*FULL*
Workshop 1 Arranging Folk Music: faking It in the Session And Nailing It in Rehearsal
A systematic approach to rhythm, harmony, melody and form, for use on and off stage. Open for all instruments.
Workshop 2 Accompanying Folk on Cello: basic chops, chords and basses
This workshop serves as an introduction the various techniques used by cellists to accompany their fiddler friends, which serve across a variety of styles.
Workshop 3 Playing Folk on Cello: advanced tricks, chords, strums and chops
A workshop that builds on the basic one, going into deeper detail and harder challenges in the folk and improvised cello world. Mainly aimed at cellists, but inventive and curious fiddlers welcome.
For cello players with at least intermediate instrument skills. The workshop on Wednesday is open for all instruments.
You can register for workshops by day and are free to attend multiple sessions with the same teacher
10:00 – 12:30 & 14:00 – 17:00
Toby Kuhn
Spawned in classical music and left to dry on the streets of Europe, seasoned with the spice of Jazz, Folk and Funk, Toby decants an exploration of his instrument through wide-ranging improvisation, bringing his musical musings to the stage in an effort to intoxicate his audience with the soft beauty of the cello and his love of the ephemeral. His current projects are Wild Strings Trio, a duo with Hannah James, Old Salt, Bipolar Bows, a new duo with Gaja Sušelj and other occasional projects.
Born into a multilingual artistic family, Toby was bathed in classical music throughout his childhood. He picked up the cello at 7 and completed 20 years of study, which culminated in a Bachelor’s degree in both Cello and Music Theory from McGill University.
Feeling somewhat unsatisfied by all that his education had left out, he proceeded to travel the roads of Europe, busking and discovering a new world of improvised music, freely exploring all the possibilities and techniques the cello has to offer, without limitations and with a deeper connection to the people and places he encountered along the way.
Soon he established himself in Ljubljana where he met and worked with musicians of all kinds. He developed a fascination for the folk music(s) of the Balkans and their intense, raw emotion. Through regular participation and mentoring in Ethno histEria and the attendant Floating Castle festival, he has come to live and work in the wider European folk scene, playing Old-Timey Americana one night and Balkan-Ethno-Jazz the next, while making time for British folk songs, fast Bulgarian showpieces, French dances and heart-wrenching Anatolian ballads.
photo © Karolina Maruszak
